Sebastiano Ricci
(1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

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Sebastiano Ricci Die Kindheit des Ciro oil painting


Die Kindheit des Ciro
1706-1708 Medium oil on canvas Dimensions Deutsch: 259 x 201 cm cyf
Painting ID::  90291
Sebastiano Ricci
Die Kindheit des Ciro
1706-1708 Medium oil on canvas Dimensions Deutsch: 259 x 201 cm cyf
   
   
     

Sebastiano Ricci Bacchus und Ariadne oil painting


Bacchus und Ariadne
. 1713 Medium oil on canvas cyf
Painting ID::  90301
Sebastiano Ricci
Bacchus und Ariadne
. 1713 Medium oil on canvas cyf
   
   
     

Sebastiano Ricci Venus and Cupid oil painting


Venus and Cupid
Oil on canvas. 72 x 97 cm. Date c. 1700 cyf
Painting ID::  90488
Sebastiano Ricci
Venus and Cupid
Oil on canvas. 72 x 97 cm. Date c. 1700 cyf
   
   
     

Sebastiano Ricci Gebet Christi am olberg oil painting


Gebet Christi am olberg
1730(1730) Medium oil on canvas Dimensions Deutsch: 95 x 76 cm cyf
Painting ID::  90584
Sebastiano Ricci
Gebet Christi am olberg
1730(1730) Medium oil on canvas Dimensions Deutsch: 95 x 76 cm cyf
   
   
     

Sebastiano Ricci Maria in Gloria mit Erzengel Gabriel und oil painting


Maria in Gloria mit Erzengel Gabriel und
1724-1725 Medium oil on canvas Dimensions Deutsch: 435 x 255 cm cyf
Painting ID::  90589
Sebastiano Ricci
Maria in Gloria mit Erzengel Gabriel und
1724-1725 Medium oil on canvas Dimensions Deutsch: 435 x 255 cm cyf
   
   
     

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     Sebastiano Ricci
     (1 August 1659 - 15 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was born in Belluno, son of Andreana and Livio Ricci. In 1671, he apprenticed to Federico Cerebri of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young pregnant woman to avoid marriage. Imprisoned, he gained release only after intervention of a nobleman, probably a Pisani family member. He married the pregnant mother in 1691, although this was a stormy union. After his arrest, he moved to Bologna, where he domiciled near the Parish of San Michele del Mercato. His painting style there was apparently influenced by Giovanni Gioseffo dal Sole. On 28 September 1682 he was contracted by the "Fraternity of Saint John of Florence" to paint a Decapitation of John the Baptist for their Oratory. On 9 December 1685, the Count of San Segundo near Parma commissioned from Ricci the decoration of the Oratory of the Madonna of the Seraglio, which he completed in collaboration of Ferdinando Galli-Bibiena by October 1687, receiving a compensation of 4,482 Lira.

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